There have been a lot of Kingston cards with rebates on Buy. Is it worth the hefty price tag? We take a look at the Cine, the high-end model in this series. The Nikon Z9 is the company's first camera to feature a stacked CMOS sensor, which brings a raft of new features, including blazing speed and autofocus performance to the Z lineup. Click through for our detailed first impressions of Nikon's latest professional ILC. The Sony a7 IV is the fourth generation of the company's core a7 full-frame mirrorless camera model, and it's the most advanced yet.
Click through for an in-depth look at Sony's latest full-frame mirrorless ILC. Nik Silver Efex Pro 3, one of the standout components of Nik Collection 4, is a black-and-white conversion tool that goes far further than the grayscale or black-and-white tools built into all-in-one photo apps.
For some users, this app alone might be worth the cost of the whole collection — find out for yourself in our review. The Nikon Z mm F2. Get all the details in our full review.
These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform.
In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media. If you're looking for the perfect drone for yourself, or to gift someone special, we've gone through all of the options and selected our favorites.
We looked at cameras with selfie-friendly screens, wide-angle lenses, microphone inputs and great video quality, and selected the best. Submit a News Tip! Reading mode: Light Dark. Login Register. Best cameras and lenses.
Started Jan 14, Discussions. Jan 14, Reply to thread Reply with quote Complain. How about "twice as many as your 1Gb card". Reply Reply with quote Reply to thread Complain. Sorry, I thought you still had a 1Gb card for comparison.
It's true the camera won't predict exposures left over MaxinAus's gear list: MaxinAus's gear list. Higher ISO means more digital noise and noise is harder to compress and thus Don't get carried away though.
You do still get what you pay for mostly. Get "enough" storage of the best quality you can afford. DIPics egruber wrote: Well, I suppose you are right, but the number of remaining shots varies with ISO and Image Size, and I'm afraid my memory is not as good as yours I guess it's just a mystery until it drops below ? For this reason, I love taking people pictures with the big zoom lens because I can stand way far back and still get a good close-up photo. Check out the Jim Zim photo gallery.
In some other parts of the world, it is known as the EOS D. They improved on it in with the release of the Digital Rebel XT. This latest version of the Rebel offers The main reason I wanted to upgrade to the Rebel XTi, though, is because of the improvements to the autofocus system.
Getting properly focused pictures in automatic mode is one of the hardest things for a camera to do. Canon has a new 9-point autofocus system, which they first introduced on the much more expensive "big brother" to the Rebel XTi Now you can get the same powerful autofocus system on the much more affordable Rebel XTi.
In other words, you can download the pictures to your computer much faster than you can with some of the older Canon cameras. Of course, some things have remained the same in all of Canon's Digital Rebel cameras I'm excited to finally have a camera that can handle an EF-S lens!
Other standard Rebel features: the ability to shoot in "RAW" mode, which gives you the ability to make much higher quality adjustments to your photos than you can when working with. I had a camera a few years ago that featured a cheap stripped-down hot-shoe. Canon's system is so much better! The camera and the external flash talk to each other and share exposure, shutter, focus, and white-balance information. It really makes for the best quality flash photos I've ever been able to take.
Also, if you get the EX external flash, you have the ability to add a second less-expensive flash unit later, which you can place in another part of the room and the two flashes will fire together at the same time.
My friend, Carol Patterson, a professional photographer, showed me how this works one time and it was so impressive! As I mentioned earlier, the Rebel XTi is a What this means is that it shoots images that are pixels wide and pixels tall. That may sound like a lot A good example is a photo I snapped last year with my Canon 10D of a puppy next to a red wagon:.
Original version of the photo - not cropped. It's a nice photo Here are two better versions, after a little cropping:. The problem with cropping, of course, is that you throw away a lot of resolution. This photo was shot with a Canon 10D camera, so it started as a 6-megapixel image That's still a fairly high resolution image, but not ideal for very high resolution printing at large sizes To print an image at dpi at 8.
So, the I've been extremely impressed with the new Digital Rebel. It's helped me to create some great photographs! I had already owned five previous digital cameras when I decided to upgrade to the Rebel XTi, and it's been interesting to see how each camera has been better than the others.
You can read details of this test here. Under the harsh lighting of the test above, the Canon EOS Digital Rebel XTi produced high contrast with washed-out highlights and deep shadows with its default contrast setting. However, the Rebel XTi's next-to-lowest contrast adjustment as seen above produced much more pleasing results, with better midtones, without washing out the colors in the image.
The Rebel XTi's contrast and saturation settings are a bit buried, down in the Picture Style sub-menu, off the main shooting menu, but they're very effective, and provide a nice range of control, with fine enough steps that you can pick exactly the effect you want.
With the lower contrast setting, these images show good detail at both extremes of the tone curve, in both shadows and strong highlights. In "real life" of course, be sure to use fill flash in situations like the one shown above; it's better to shoot in the shade when possible. Though the images are still fairly bright at the lowest light level, the longer exposure did result in a more pronounced pink color cast.
Overall noise was really quite low to begin with, but the camera's Long Exposure Noise Reduction option Custom Function 02 did tone down the brightness of visible noise pixels. The XTi does have an autofocus-assist light option, but it uses the camera's flash tube as the illuminator, and so requires the flash system to be engaged for it to work. Do keep in mind that the very long shutter times necessary here absolutely demand the use of a tripod or other camera support to get sharp photos.
A useful trick is to just prop the camera on a convenient surface, and use its self-timer to release the shutter. This avoids any jiggling from your finger pressing the shutter button, and can work quite well when you don't have a tripod handy. How bright is a foot-candle? The one foot-candle light level that this test begins at roughly corresponds to the brightness of typical city street-lighting at night. Cameras performing well at that should be able to snap good-looking photos of street-lit scenes.
NOTE : This low light test is conducted with a stationary subject, and the camera mounted on a sturdy tripod. Most digital cameras will fail miserably when faced with a moving subject in dim lighting.
For example, a child's ballet recital or a holiday pageant in a gymnasium. Print Quality Excellent print quality, great color, excellent 13x19 inch prints. ISO 1, images are surprisingly clean and sharp at 8x10 inches: Most users would probably find high-ISO shots acceptable even at 11x Testing hundreds of digital cameras, we've found that you can only tell just so much about a camera's image quality by viewing its images on-screen.
Ultimately, there's no substitute for printing a lot of images and examining them closely. For this reason, we routinely print sample images from the cameras we test on our Canon i studio printer, and on the Canon iP here in the office.
See the Canon i review for details on that model. The Canon Digital Rebel XTi didn't fail to impress us when it came time to examine its printed output. JPEGs straight from the camera made good-looking 13x19 inch prints, and delivered loads of crisp detail with a little sharpening in Photoshop. Working from RAW files, you could probably print a good bit larger than 13x19 with little trouble or obvious softness. Shots captured at ISO 1, looked great printed as large as 8x10 inches, and most users would likely be satisfied with prints as large as 11x14 inches at that ISO setting.
We did notice some chroma color noise in areas of flat tint, but it wasn't too bad at print sizes of 8x10 inches or below.
As noted elsewhere in this review, when compared against its primary competitor the Nikon D80, the XTi tends to have a bit more chroma noise than the D80, but conversely does a better job of holding onto subject detail in areas of subtle contrast, or tone-on-tone color variations. Noise is an awfully subjective issue though: What you think of the XTi's ISO 1, shots will depend a lot on your tolerance for image noise, and the size you intend to print at.
We ourselves tend to print at 8x10 or 8. With that set of givens, we'd feel perfectly comfortable shooting with the XTi at ISO 1, as a matter of course. We don't say that often.
The XTi's color was also beautiful, as printed on the i Strong reds did tend to saturate somewhat, but not as badly as on many cameras, and the rest of the spectrum was rendered very nicely. Skin tones were very natural, and the whole effect was bright, but very believable and appealing. Bottom line, the XTi delivered excellent prints.
Canon Rebel XTi Imaging Characteristics Imaging and file quality are ultimately what's most important in a digital camera, and the Canon Rebel XTi definitely delivers the goods in this area. Strong detail to 1, lines horizontal Strong detail to 1, lines vertical Our laboratory resolution chart revealed sharp, distinct line patterns down to about 1, lines per picture height horizontally, though to only about 1, vertically.
Great definition of high-contrast elements, with only slight edge enhancement visible. This image takes post-capture sharpening very well. Subtle detail: Hair Noise suppression tends to blur detail in areas of subtle contrast, as in the darkest parts of Marti's hair here, but the XTi does manage to preserve subtle detail better than the majority of cameras we test.
In the diagram above, the squares show the original color, and the circles show the color that the camera captured. More saturated colors are located toward the periphery of the graph. Hue changes as you travel around the center. Thus, hue-accurate, highly saturated colors appear as lines radiating from the center.
Exposure and White Balance Indoors, incandescent lighting Good color with the Manual white balance setting, but very warm results with the other options.
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